DON GRIFFINO
This artwork is a rich tapestry, intricately weaving together diverse elements of contemporary culture and finance. It stands a portrayal of Kenneth C. Griffin, a prominent figure in finance, seemingly juxtaposed against representations of Redditors and the vibrant tapestry of popular social culture, notably TikTok and other mass media platforms. The canvas appears to delineate the power play within the financial sphere, symbolized by brokers like Robinhood, accentuating their advantage-taking stance on the populace, hindering the true essence of a free market. Amidst this, pockets of new counter-culture emerge, embodying resilience against the established norms and structures, underscoring a pushback against the prevailing financial order. The painting's complex narrative seems to delve into the clash between established financial powers, the influence of social media on market dynamics, and the enduring spirit of new counter-culture challenging the dominance of the financial establishment.
“FOR HOIS” Just a funny art piece.
This artwork is a rich tapestry, intricately weaving together diverse elements of contemporary culture and finance. It stands a portrayal of Kenneth C. Griffin, a prominent figure in finance, seemingly juxtaposed against representations of Redditors and the vibrant tapestry of popular social culture, notably TikTok and other mass media platforms. The canvas appears to delineate the power play within the financial sphere, symbolized by brokers like Robinhood, accentuating their advantage-taking stance on the populace, hindering the true essence of a free market. Amidst this, pockets of new counter-culture emerge, embodying resilience against the established norms and structures, underscoring a pushback against the prevailing financial order. The painting's complex narrative seems to delve into the clash between established financial powers, the influence of social media on market dynamics, and the enduring spirit of new counter-culture challenging the dominance of the financial establishment.
“FOR HOIS” Just a funny art piece.
This artwork is a rich tapestry, intricately weaving together diverse elements of contemporary culture and finance. It stands a portrayal of Kenneth C. Griffin, a prominent figure in finance, seemingly juxtaposed against representations of Redditors and the vibrant tapestry of popular social culture, notably TikTok and other mass media platforms. The canvas appears to delineate the power play within the financial sphere, symbolized by brokers like Robinhood, accentuating their advantage-taking stance on the populace, hindering the true essence of a free market. Amidst this, pockets of new counter-culture emerge, embodying resilience against the established norms and structures, underscoring a pushback against the prevailing financial order. The painting's complex narrative seems to delve into the clash between established financial powers, the influence of social media on market dynamics, and the enduring spirit of new counter-culture challenging the dominance of the financial establishment.
“FOR HOIS” Just a funny art piece.
Jax
b. 1994
DON GRIFFINO
Signed and dated on mid 2023
Components: Acrylic, organic pigments from Asia, and exotic-based plant pigments from the Andes and Jungle border between Brazil and Peru.
(Approx Composition 12% Oil, 24% Organic Pigments, 24% Plant-Based Pigments, and 40% Acrylic Executed in early 2023, 146 hours of work approx).
Dimensions: 63 ½ H x 53 ½ W inches (161.3 H x 135.9 W cm)
Jax
b.1994
DON GRIFFINO
Signé et daté en 2023.
Composants: Pigments organiques d'Asie, et pigments végétaux exotiques des Andes et de la jungle à la frontière entre le Brésil et le Pérou.
Composition approximative : 12% Huile, 24% Pigments Organiques, 24% Pigments Végétaux, et 40% Acrylique Exécuté début 2023, environ 146 heures de travail).
Dimensions avec cadre : 63 ½ H x 53 ½ W inches (161.3 H x 135.9 W cm)