YISUS CLEANSING OF WALL STREET
This multifaceted artwork intricately merges ancient spirituality with modern finance and power dynamics, portraying Jesus adorned with a bitcoin halo and wielding a whip fashioned from Japanese candles indicators, expelling not merchants but bankers instead, and the CEOs of social media as witness, including the “Zucc in a morphed lizard manner”. Amidst this tableau, Nancy Pelosi, the "Queen of Wall Street," stands amidst satire, hinting at her influence on market dynamics. The painting serves as a vivid commentary on the clash between entrenched financial powers and disruptive forces, symbolizing the perpetual struggle between traditional dominance of the establishment and emergent culture disruptions, highlighting the resilience of the mass movements against monopolistic control, ultimately echoing the enduring theme that despite attempts at consolidation, the collective ingenuity of "the people" persists in challenging and reshaping established structure even in finance and technological fields.
“FOR HOIS” Just a funny art piece.
This multifaceted artwork intricately merges ancient spirituality with modern finance and power dynamics, portraying Jesus adorned with a bitcoin halo and wielding a whip fashioned from Japanese candles indicators, expelling not merchants but bankers instead, and the CEOs of social media as witness, including the “Zucc in a morphed lizard manner”. Amidst this tableau, Nancy Pelosi, the "Queen of Wall Street," stands amidst satire, hinting at her influence on market dynamics. The painting serves as a vivid commentary on the clash between entrenched financial powers and disruptive forces, symbolizing the perpetual struggle between traditional dominance of the establishment and emergent culture disruptions, highlighting the resilience of the mass movements against monopolistic control, ultimately echoing the enduring theme that despite attempts at consolidation, the collective ingenuity of "the people" persists in challenging and reshaping established structure even in finance and technological fields.
“FOR HOIS” Just a funny art piece.
This multifaceted artwork intricately merges ancient spirituality with modern finance and power dynamics, portraying Jesus adorned with a bitcoin halo and wielding a whip fashioned from Japanese candles indicators, expelling not merchants but bankers instead, and the CEOs of social media as witness, including the “Zucc in a morphed lizard manner”. Amidst this tableau, Nancy Pelosi, the "Queen of Wall Street," stands amidst satire, hinting at her influence on market dynamics. The painting serves as a vivid commentary on the clash between entrenched financial powers and disruptive forces, symbolizing the perpetual struggle between traditional dominance of the establishment and emergent culture disruptions, highlighting the resilience of the mass movements against monopolistic control, ultimately echoing the enduring theme that despite attempts at consolidation, the collective ingenuity of "the people" persists in challenging and reshaping established structure even in finance and technological fields.
“FOR HOIS” Just a funny art piece.
Jax
b. 1994
YISUS CLEANSING OF WALL STREET
Signed and dated on mid 2024
Components: Acrylic, organic pigments from Asia, and exotic-based plant pigments from the Andes and Jungle border between Brazil and Peru.
(Approx Composition: Oil,Organic Pigments,Plant-Based Pigments, and Acrylic Executed in early 2023, TBE hours of work approx).
Dimensions TBD
Jax
b. 1994
YISUS CLEANSING OF WALL STREET
Signed and dated on mid 2024
Components: Acrylic, organic pigments from Asia, and exotic-based plant pigments from the Andes and Jungle border between Brazil and Peru.
(Approx Composition: Oil,Organic Pigments,Plant-Based Pigments, and Acrylic Executed in early 2023, TBE hours of work approx).
Dimensions TBD